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	<description>Photographic Discussion Site of Gregory Matthews &#38; Phillip W. Kirkland, Photographers</description>
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		<title>Power Line Obstruction, No More!</title>
		<link>http://ourphototalk.com/blog/?p=559&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=power-line-obstruction-no-more</link>
		<comments>http://ourphototalk.com/blog/?p=559#comments</comments>
		<pubDate>Sat, 10 Mar 2012 14:31:50 +0000</pubDate>
		<dc:creator>Gregory Matthews</dc:creator>
				<category><![CDATA[Technique]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://ourphototalk.com/blog/?p=559</guid>
		<description><![CDATA[<p>Finding great composition in St. Augustine Florida is an easy task as one drives along the shores of the Atlantic or the inter-coastal waterway. When I found the &#8220;perfect shot&#8221; earlier this month, it was from a roadway bridge. As is generally the case, bridge shots typically involve having to deal with the obtrusive power [...]]]></description>
			<content:encoded><![CDATA[<p>Finding great composition in St. Augustine Florida is an easy task as one drives along the shores of the Atlantic or the inter-coastal waterway. When I found the &#8220;perfect shot&#8221; earlier this month, it was from a roadway bridge. As is generally the case, bridge shots typically involve having to deal with the obtrusive power lines passing through the image. For some reason, FP&amp;L does seem to perefer placing their power poles and lines on the most photogenic side of a roadway. Normally, these obstructions are sufficiently awful to discourage all but the most hopeful photographer from considering the shot. But, the light and composition this morning was an offering that I did not want pass up. I figured that I would come up with a way to remove any power lines in post processing if the images were as strong as I thought they would be. I think they were!</p>
<p>I should note that I did try to capture the image from several alternate locations along the bridge and shore, but none offered the composition that I found on the bridge itself.</p>
<p>Removing a defect like a power lines without leaving any blemishes to show up on the print is a challenging task. The proper solution for these images required a little creative thinking and several different approaches. Here is the raw image with the power lines as they were captured.</p>
<div id="attachment_565" class="wp-caption alignleft" style="width: 310px"><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/03/St-Augu-Mar-12-_100raw.jpg"><img class="size-medium wp-image-565 " title="Morning anchorage along the inter coastal water way in St. Aufustine" src="http://ourphototalk.com/blog/wp-content/uploads/2012/03/St-Augu-Mar-12-_100raw-300x200.jpg" alt="Salt flats anchorage reflected in early morning light" width="300" height="200" /></a><p class="wp-caption-text">Salt water anchorage in St Augustine Florida</p></div>
<p>&nbsp;</p>
<p>Initially, I tried several strait forward approaches to removing the power lines, starting with the &#8220;lasso tool&#8221; and &#8220;fill&#8221; with &#8220;content aware.&#8221; Normally that works, however because of the subtile range of color hues in this morning sky, that approach left telltale halos. Also, neither the &#8220;clone stamp&#8221; tool nor the &#8220;spot healing&#8221; tool delivered a consistent result across the full image.</p>
<div id="attachment_561" class="wp-caption alignleft" style="width: 310px"><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/03/Screen-Shot-2012-03-07-at-7.34.20-AM.png"><img class="size-medium wp-image-561 " title="Screen Shot 2012-03-07 at 7.34.20 AM" src="http://ourphototalk.com/blog/wp-content/uploads/2012/03/Screen-Shot-2012-03-07-at-7.34.20-AM-300x250.png" alt="" width="300" height="250" /></a><p class="wp-caption-text">A screen show showing the duplicate layer at 50% opacity and moved up 1/4 inch.</p></div>
<p>Like many of the problems in life, several solutions came to me in the middle of the night. I eagerly awaited for the 5:30 am alarm to arise and try my dream solution.</p>
<p>Here was the problem: I needed a way to allow for the replacement of the power lines and immediately attached sky with a closely matching sky color. The best match would come from a location very close to lines being removed. That initially led me to the failed attempt with the &#8220;clone stamp&#8221; tool. A real test of how well you match colors and texture with such replacment in a cloudless sky like this is to switch to a B&amp;W filter. Then, the flaws in color and texture pop up clearly.</p>
<p>The final solution that I came up with might work for you some day. It required working with a duplicate layer and mask.</p>
<p>The duplicate layer was moved up about 1/4&#8243; upwards on the original image. Then I created a black mask of the duplicate and applied the &#8220;clone stamp tool&#8221; to remove the portion of the mask that covered the power lines in the original image. This technique resulted in the color of the sky and power line being replaced from an adjacent area, and made for a near perfect match.  The image below shows a screen shot of the original and duplicate layer with a mask at 50% opacity &#8212; note, the correction will require 100% opacity. The darker lines of the obstructions that are shown in the image are the lines that will be replaced with an area on the duplicate layer.</p>
<p>I did try to make theses corrections using just the spot healing tool and the clone stamp tool without a duplicate layer, but could not avoid halos in the colors that prominently popped up in the prints. There may be other solutions, but my final solution worked very quickly &#8212; I always prefer a simple solution that allows for the least alterations. This tends to produce a cleaner final print.</p>
<p>The shrouds on the sailboats &#8211; these are the wires that angle up to the mast &#8212; required use of the &#8220;clone stamp &#8220;tool moving up along the shrouds to eliminate the power line that crossed these lines.</p>
<p>Below is the final image with proper color balance and exposure. I was fortunate that I did not have to deal with a reflection of the lines in the water. I avoided that problem in setting up the shot from the bridge.</p>
<div id="attachment_595" class="wp-caption alignleft" style="width: 514px"><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/03/St-Augu-Mar-12-_102-D-2-sRGB.jpg"><img class="size-full wp-image-595 " title="Salt water flats anchorage St Augustine" src="http://ourphototalk.com/blog/wp-content/uploads/2012/03/St-Augu-Mar-12-_102-D-2-sRGB.jpg" alt="Saliboats at anchorage on the inter-coastal waterway." width="504" height="335" /></a><p class="wp-caption-text">Morning sunrise along the inter-coastal waterway St. Augustine Florida</p></div>
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		<title>Facebook Revisited</title>
		<link>http://ourphototalk.com/blog/?p=525&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=facebook-revisited</link>
		<comments>http://ourphototalk.com/blog/?p=525#comments</comments>
		<pubDate>Wed, 07 Mar 2012 15:07:08 +0000</pubDate>
		<dc:creator>Gregory Matthews</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://ourphototalk.com/blog/?p=525</guid>
		<description><![CDATA[<p>My last show was the St. Stephens Art Show in Cocoanut Grove, Florida. It&#8217;s a venue that brings about 16o artists and runs concurrent with the Cocoanut Grove Arts Festival, a much larger show.</p> <p>I thought it was a good show, though some of my fellow artists believed that the buying was down from last [...]]]></description>
			<content:encoded><![CDATA[<p>My last show was the St. Stephens Art Show in Cocoanut Grove, Florida. It&#8217;s a venue that brings about 16o artists and runs concurrent with the Cocoanut Grove Arts Festival, a much larger show.</p>
<p>I thought it was a good show, though some of my fellow artists believed that the buying was down from last year.  My getting an award in photography likely biased my impressions. The real problem was that the foreign buyers who are normally present did not show up this year. As a result we had lots of time to reflect on Miami and life in general between our busy times.</p>
<p>South Miami is a crazy quilt of city that changes character, almost, block by block. In addition, it may have the most erratic and impatient drivers in the US. The worst of these motorists seem to be at the wheels of Mercedes, BMWs and a variety of exotic autos. At times, their driving seems motivated by outright arrogance and just a total disregard of others on the road.</p>
<p>It was while driving to the St. Stephen&#8217;s show one morning among these speedway demons that I caught the end of an interview with Mark Zuckenberg of Facebook wealth. Maybe arrogance was on my mind, however Mr. Zuckenberg&#8217;s last comment of the interview caught my attention. He was discussing his belief that no one could challenge Facebook&#8217;s position in social media. At one point he said something like, “Bring it on, no one will ever challenge Facebook!&#8221;</p>
<p>His comments followed a statement that if anyone builds a duplicate to Facebook, they would never be able to attract sufficient Facebook’s users to become a threat. This was almost offered as a challenge!</p>
<p>I got to thinking how one might go about doing exactly what Zuckenber said could not be done. Could there be a way?</p>
<p>Before I continue with that thought, I want to note that Facebook recently released to a European citizen of some 1000 pages of information it had collected on that individual&#8217;s  Facebook postings. The documentation was released pursuant to lawsuit in a European court. The individual brought the legal action because he was concerned over the illegal collection and use of private information by Facebook, even though he classified himself as only an occasional user. The article said that this release of data was a first for Facebook and was required under certain European laws.</p>
<p>Use and misuse of user information by Facebook is the likely the Achilles heel of of social media. If anything could foster resentment and turn off users, this is one of the more likely issues.</p>
<p><strong>Now on to a challenge of Facebook’s reign:</strong></p>
<p>In my opinion, the Facebook founder holds a position of fame and wealth mostly because he was very lucky. Just like those born into French royalty up until the storming of the Bastille in 1789. Those aristocrats were at the right place at the right time until the rabble took over, then they lost not just their wealth, but also their heads.</p>
<p>I noted in an earlier blog that a case can be made that the real initiators of Facebook&#8217;s value are the users, not the stockholders. The users add value by logging on and providing insights into their habits and thoughts, which are then sold by Facebook to others. Those users make a daily decision to log on to Facebook or not to. Nothing  causes them to return other than habit. Get them upset, and those habits could change. There is really nothing the stockholders and management of Facebook can do to insure that any one user logs in tomorrow. If we do not log on, they lose money and value.</p>
<p>This thought can be supported by looking at the demise of MySpace, which only has 25 million or so users, and is barely profitable. It was only 5 or 6 years ago that MySpace was the leading social media. Its current owner has been reported to be considering closing down its site because 25 million users does not provide sufficient incentive to continue. Friendster was a similar giant before MySpace and is almost completely forgotten.</p>
<p>So one way to dismount Facebook is to wait for a really stupid management decision &#8212; likely on the collection and use of private user data &#8212; that will greatly upset its user base. Think about the recent plight of NetFlix, and Susan B. Koman for the Cure where management misjudged their user base support!</p>
<p><strong>An incentive to drive users away from Facebook:</strong></p>
<p>Well if you are impatient and can&#8217;t wait for Mr. Zuckenberg to shoot himself in the foot, there may be a way for an outside source to drive users to another site. That is, there may be a way to incentivize hundreds of millions of users to go elsewhere!</p>
<p>Just devise a way to share the wealth of Facebook&#8217;s value with its users, and away from the stockholders! That is, figure a way to reward the users for going to another site.</p>
<p>I think there are several ways to do this, but let me digress to the the seed of this thought.</p>
<p>I recently finished a second read of<span style="color: #ff0000;"> <em><a title="John Adams biography" href="http://books.google.com/books/about/John_Adams.html?id=GHMnz8G0GTcC" target="_blank"><span style="color: #ff0000;">John Adams</span></a></em></span> by David McCullough. At the end of the Revolutionary War, many wanted to crown George Washington monarch of the new republic. In fact, it would have been very easy for all of our founders to have crowned themselves and duplicated the monarchies of Europe on our shores.</p>
<p>That did not happen. Instead, our founders had a vision for this country and it wasn’t in dividing up the pie among themselves.</p>
<p>In effect Washington and the others took the spoils of the war with Britain and gave it back to its user base: the Americans who soldered against the British. Could not the same concept be introduced into the Facebook  and other Internet communities to shift the control and value of Facebook to its user base?</p>
<p>For example, envision the introduction of a new social network – lets call it “FB2” for this discussion. Consider that for the most part this option promises to mirror the structure and operation of Facebook. But it&#8217;s value is to be controlled by its user base, not it stockholders. Let’s say that FB2 is initially owned by a not-for-profit entity that offers to distribute, say 75% of its profits or value, to the charities selected by its user base. Think of it as some big United Way organization covering a broad group of charities and worthwhile causes. You as a user would then contribute each time you log on to the charity of your choice.</p>
<p>If the only differences between FB2 and Facebook are (1) most of its profits are distributed to charities chosen by the user base and not to the owners and (2) decisions on using of private information is controlled by the user base, how might that impact which site you use to sign on?</p>
<p>I do recognize that Facebook may not be providing any profits yet, but it should top so soon, so say millions of potential stock buyers.</p>
<p>All things being equal, I believe that such an offering could provide an incentive to move individuals to stop using Facebook and move to FB2.</p>
<p>&nbsp;</p>
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		<title>Discover the World of Whales: Bradenton, March 7th</title>
		<link>http://ourphototalk.com/blog/?p=549&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=discover-the-world-of-whales-bradenton-march-7th</link>
		<comments>http://ourphototalk.com/blog/?p=549#comments</comments>
		<pubDate>Sun, 04 Mar 2012 15:15:35 +0000</pubDate>
		<dc:creator>Gregory Matthews</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://ourphototalk.com/blog/?p=549</guid>
		<description><![CDATA[<p>To experience the making of marine photography under the sea, visit the South Florida Museum in Bradenton on March 7. On that day the museum is hosting a program by National Geographic Photographer Charles &#8220;Flip&#8221; Nicklin. Nicklin will be discussing his long career of  capturing marine life in its native environment.</p> <p>The  museum is also the home of [...]]]></description>
			<content:encoded><![CDATA[<p>To experience the making of marine photography under the sea, visit the South Florida Museum in Bradenton on March 7. On that day the museum is hosting a program by National Geographic Photographer Charles &#8220;Flip&#8221; Nicklin. Nicklin will be discussing his long career of  capturing marine life in its native environment.</p>
<p>The  museum is also the home of Snooty, the only 63 year old manatee in captivity, though it is not Snooty that is the focus of the museum&#8217;s current show. Rather, Nicklin will be discussing his creation of the 30 photos that make up the museum&#8217;s current show on whales and other marine life. The full show will be open through April 12, 2012.</p>
<p><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/03/AG_Cover_frnt_345x288.jpg"><img class="alignleft size-medium wp-image-554" title="AG_Cover_frnt_345x288" src="http://ourphototalk.com/blog/wp-content/uploads/2012/03/AG_Cover_frnt_345x288-300x250.jpg" alt="" width="300" height="250" /></a></p>
<p>Nicklin&#8217;s  images include striking images of several species of whales and in almost big-as-life photos. Nicklin&#8217;s abilities to free dive and his mastery of underwater photography over the past 30 years create a window into the world of whales, and other marine mammals, that he will share with those present.</p>
<p>The following is an except from the show&#8217;s guide which can be read in its <span style="color: #ff0000;"><a title="World of Whales exhibit at South Florida Museum" href="http://www.southfloridamuseum.org/TheMuseum/EastGallery.aspx" target="_blank"><span style="color: #ff0000;">entirety online.</span></a> </span></p>
<p>&#8220;<em>&#8230;.By using his ability to free dive to depths of 80 feet, Nicklin has captured a glimpse of the largest creatures to have ever lived, documenting these animals in their natural habitat. The free dive is an important skill, without the large tanks and resulting bubbles, he can sneak into their environment without sending unknown messages; bubbles are a known communication method with some animals.  Working directly with marine biologists, Nicklin has provided valuable information to them with his images.  For example, Nicklin contributed to early humpback whale research by diving and photographing their undersides while singing, with these images, the biologists discovered that all humpback singers are males.  His images have also illustrated countless National Geographic Magazine articles. Nicklin&#8217;s work demonstrates that photography can inform science and be a tool for understanding marine mammals as well as provide inspiration for conservation efforts.</em></p>
<p><em>&#8220;The dramatic exhibition images depict humpback whales, sperm whales, killer whales, belugas and narwhals in photographs taken around the world, from the Canadian Arctic to Hawaii to New Zealand. Many species showcased are also found in Florida waters. One featured photograph is a close-up image of staff and volunteers with the Chicago Zoological Society&#8217;s Sarasota Dolphin Research Program, a locally-based, world-renowned program, and Mote Marine Laboratory, releasing a pair of dolphins in northern Manatee County. Nicklin was on-hand during the release and featured the image and the story in a 1992 National Geographic Magazine Article, &#8220;Dolphins in Crisis. &#8230;&#8221;</em></p>
<p>On March 7th the photographer will be present to discuss the making of these photos and answer questions on marine photography. It is a discussion worth attending and includes admission to the show. Incidentally, it is Ashley Burke&#8217;s &#8212;  the museum&#8217;s curator and the mother of my sole grandchild &#8212; first show at the museum.</p>
<p>Congratulations Ashley, well done.</p>
<p>The photo in this post is from the show and should offer an insight into a very unique discussion.</p>
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		<title>Attention to Detail</title>
		<link>http://ourphototalk.com/blog/?p=529&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=adherence-to-detail</link>
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		<pubDate>Sat, 25 Feb 2012 16:00:32 +0000</pubDate>
		<dc:creator>Phillip Kirkland</dc:creator>
				<category><![CDATA[Technique]]></category>
		<category><![CDATA[Tips]]></category>

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		<description><![CDATA[<p style="text-align: left;" align="center">Attention to the details in one’s life is what makes for a harmonious whole.  Omit just a pinch of salt in your favorite recipe and the importance of attention to detail will become very clear by what  is missing.  Overlook the anniversary of your marriage or your wife’s birthday and you will [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;" align="center"><span style="font-family: Calibri;">Attention to the details in one’s life is what makes for a harmonious whole.  Omit just a pinch of salt in your favorite recipe and the importance of attention to detail will become very clear by what  is missing.  Overlook the anniversary of your marriage or your wife’s birthday and you will be </span><span style="font-family: Calibri;">reminded in a persuasive manner how important it is to remember and take care of the details!</span></p>
<p><span style="font-family: Calibri;">The focus on the the details  involved in the creation of a great image is, well, what makes the image great.  Sometimes it might only be a slight adjustment of camera angle when composing the shot.  Or it could involve the area chosen to place the focus.  In the editing phase also, every decision you make becomes an important detail in how the finished image will appear.  Whether it is dodging an area here or burning a spot there, increasing saturation for one color while decreasing in another, or any number of other adjustments commonly made in the editing of your work, all will either contribute to or detract from the quality of the finished image.  Like the salt, omit or overdo any one detail and the outcome will not be the same.</span></p>
<p><span style="font-family: Calibri;">As you can see, the two images that I have chosen to illustrate this thought are vastly different in their final rendering, but the same care and methods were employed to capture each one.</span></p>
<p>&nbsp;</p>
<div id="attachment_530" class="wp-caption aligncenter" style="width: 910px"><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/02/Wrights_Creek_January_07_2012_0965_7_8_9-Edit.jpg"><img class="size-full wp-image-530" title="Wright's Creek" src="http://ourphototalk.com/blog/wp-content/uploads/2012/02/Wrights_Creek_January_07_2012_0965_7_8_9-Edit.jpg" alt="" width="900" height="598" /></a><p class="wp-caption-text">Wright&#39;s Creek</p></div>
<p>&nbsp;</p>
<p><span style="font-family: Calibri;">To reach this destination on Wright’s Creek in the Florida Panhandle, I had to paddle some 800 yards upstream from camp.  I knew the forecast called for thick fog but I also was well aware that the fog would not linger, but lift early with the rising of the bright sun and the slight breeze that was also part of the weather forecast.  Without the fog, the images that I envisioned would not have been possible.  Therefore, I had to rise before four a.m. and be on the water as soon as the light from the sun would allow me to see.   The details involved in the final work, finished two days later, had already begun.</span></p>
<p><span style="font-family: Calibri;">Always check the camera settings before you begin a shoot! I know it sounds elementary and we have no doubt heard and reminded ourselves of its importance many times, but I’ve been far into a shoot on many occasions only to discover the camera was not setup properly for what I was trying to accomplish.  It is very frustrating, often impossible even, to repair in post what could have been avoided if only one would slow down and make sure all is as it should be in the camera’s settings.</span></p>
<p><span style="font-family: Calibri;">If you do not yet acknowledge you <em>must<strong> </strong></em>use a tripod, I would assume you’re not yet fully committed to doing the very best work you’re capable of doing.  Use the tripod!  Buy better than you think you can afford and use the thing!  The one tool that will cause you to slow down, help with framing the composition, and stabilize the camera at the same time is the tripod.  These photos simply would not have been made without the use of a sturdy tripod.  They were taken in the early morning fog with low light.  The ISO in the camera was set at 100, resulting in shutter speeds so slow that the images could not have been sharp without stabilizing the camera with a good tripod.  Besides, it’s not a self-portrait if someone else is holding the camera.</span></p>
<p><span style="font-family: Calibri;">The whole process involved in capturing these photographs began with planning the night before, rising early to be at the location at the opportune time, and then setting up the camera appropriately both internally and on a sturdy </span><a href="http://www.gitzo.us/?ref=1"><span style="color: #0000ff; font-family: Calibri;">Gitzo GT3530LS</span></a><span style="font-family: Calibri;"> tripod.  However, it did not end there.</span></p>
<p><span style="font-family: Calibri;">I have been on the receiving end of applied pressure.  The kind applied by some less patient (and of course less interested) than me when I am attempting to arrange and adjust every Speedlight&#8217;s intensity and angle when attempting to properly expose a family portrait.  You know the feeling.  You have experienced the same one while on vacation with others.  Remember the times when you paused to compose a photo and everyone quickly grew weary of your determined efforts and said to you, “just take the picture!”  That is the feeling I refer to.  But if we “just take the picture”, let us be honest with ourselves, we’re no longer pursuing art and work which is truly beautiful but just taking snapshots instead.</span></p>
<p><span style="font-family: Calibri;">I didn’t want these photos to end up as snapshots so much effort, time, and technique went into their creation.  </span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="attachment_531" class="wp-caption aligncenter" style="width: 910px"><a href="http://ourphototalk.com/blog/wp-content/uploads/2012/02/Wrights_Creek_January_07_2012_0950-Edit.jpg"><img class="size-full wp-image-531" title="Hunting the Bottomland" src="http://ourphototalk.com/blog/wp-content/uploads/2012/02/Wrights_Creek_January_07_2012_0950-Edit.jpg" alt="" width="900" height="598" /></a><p class="wp-caption-text">Hunting the Bottomland</p></div>
<p>&nbsp;</p>
<p><span style="font-family: Calibri;">After determining the composition for the shots, I relied on the D300’s Live View function to nail down the focus.  I then went one step further with a technique I learned from George Lepp.  With Live View turned on, I increased the magnification of the image and viewed it through a Hood Loupe while manually focusing for proper depth of field and fine focus.  In Live View, I was able to scroll around the frame and check the focus, thereby assuring sharpness throughout the image.  Because of the slow shutter speeds, I then switched the camera to utilize its “mirror up” function, which helped to minimize movement even further. I also used a shutter release cable so as not to touch the camera at the moment of exposure.</span></p>
<p><span style="font-family: Calibri;">Postproduction involved work in </span><a href="http://www.niksoftware.com/index/usa/entry.php"><span style="color: #0000ff; font-family: Calibri;">Nik</span></a><span style="font-family: Calibri;"> Software’s Color Efex 3 and Silver Efex 2, and Adobe&#8217;s </span><a href="http://success.adobe.com/en/na/sem/products/lightroom.html?kw=p&amp;sdid=ESDNI&amp;skwcid=TC|22181|lightroom||S|e|10631937022"><span style="color: #0000ff; font-family: Calibri;">Lightroom</span></a><span style="font-family: Calibri;">.  The color image is a four-framed HDR processed in </span><a href="http://www.hdrsoft.com/index.html"><span style="color: #0000ff; font-family: Calibri;">Photomatix Pro</span></a><span style="font-family: Calibri;">. I shot five frames for the HDR image, but after inspecting them all individually at 100% crop, one was determined to be too noisy for its inclusion in the final merge. Again, attention to detail is crucial.</span></p>
<p><span style="font-family: Calibri;">God has blessed each one of us with an amazing tool.  No, it’s not the best camera in the world or the latest software to edit the images that we capture.  The tool is our brain.  Connect the knowledge contained there with the desire resting in your heart to produce great images, then <em>patiently </em>go about your business paying close attention to the details and produce those images that you envision.</span></p>
<p><span style="font-family: Calibri;"> </span></p>
<p><span style="font-family: Calibri;">Phillip Kirkland</span></p>
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